This year I’ve decided to get back into the world of visual effects as it pertains to sweetening my camera work. It’s been years since I seriously opened After Effects, but it all came rushing back to me with this project. Remember when you had to track everything out keyframe by keyframe? | Shot on @ursamini with @pentaxusa glass inside of a dump tank with a lot of different small lights and mirrors of varying curvatures. Finished in @adobe_aftereffects
Canon 100mm f/2.8 IS L Macro + Canon 135mm f/2.0 L
Which would you pick?
Photo by @canongearnerd
We are now selling Camera Top Handles! Click the link in our bio to get one! www.cameraframesshop.com
Trying something I’ve been thinking about doing for a while. Instead of using video why not use pure images to make tell a story. So essentially I took photos at 11fps and stitched them all together.
Thanks @puddenspeaks ❤️ for or letting me always point things at you.
Oooh. Mark (@markhendon) just stopped in to grab some Polaroid film and brought a Leica CM with him. We don’t really have a Leica fetish but this is a special little point and shoot deserving of a feature. The CM is wonderful in many ways but it’s 40mm f/2.4 Summarit lens is the real treasure. Not many point and shoots come armed with a lens as fast and sharp as this. You’ve also got to appreciate the odd 40mm focal length; not something you see everyday. Markedly wider than a 50 but slightly tighter than the typical 35. Very cool. Always great to see one of these in the wild! 👍🏽✨ #LeicaCM#NewYorkCameraStyle
This must be a killer combo😍 What do you think?🤔 _________________
Sony A7R mk III + Canon 85mm f/1.2 L II
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So many great tools. Click the link in my bio to see what we did with it!
Dueling more Tener LEDs, roadrunners, quasars, tungsten‘s, LED tape, wireless video/focus, vintage spherical lenses, RED Epic Dragon, Back up RED camera, and a shit load of talented people. Amazing feeling when good tools, talent, and story come together.