🔊 Bach: Gavotte en Rondeau
Performed by Cho-Liang Lin.
Here, Cho-Liang Lin performs on the 1715 Titian Stradivarius.
I'm really glad I was able to hear Cho-Liang Lin play the Brahms concerto on this Stradivarius when he played with the Singapore Symphony Orchestra @singapore_symphony_orchestra a couple years back!😊 Glad to see a beautiful Strad in the hands of a wonderful soloist!
Provenance below by Christopher Ruening.
The French violin dealer Albert Caressa dubbed this violin the "Titian" because its clear orange-red color reminded him of the famous Venetian painter.
It is among Stradivari's most important works from his golden period and is similar to the 1714 "Dolphin" on account of its compact dimensions, soft broad flames, wide purfling, and transparent ground.
The two violins have two-piece backs with flames in opposite directions and share an interesting detail: the upper pins of the back show on the outer side of the purfling.
The Titian's earliest known owners were two 19th century French noblemen, first the Comte D'Evry and then the Comte de Sauzay, an amateur player who was the son-in-law of violinist Pierre Baillot. In 1872, the Titian landed in America in the hands of William Baker of Boston. In 1922, the important violinist Efrem Zimbalist purchased it from Erich Lachman.
Several years later, the violin was sold through the Rudolph Wurlitzer Company to Felix Warburg and remained in the Warburg family through the next generation. It was heard as the first violin in the Stradivari Quartet. The Rembert Wurlitzer firm in 1965 sold it to Samuel Mehlman and later to J. Irwin Miller.
Delayed post, but here's a clip from the biosignal driven cello performance, for those of you who missed it. To put it simply, I created a system that triggers different loops dependant on the performers stress levels (electrodes reading GSR). Hope to do more of these weird experiments in the future. 🤞
#TheMakingOf Guarneri Ysaÿe
I pay a lot of attention to transmit my personal taste. I am very happy when I hear that someone could recognize one of my instruments. Making this Ysaÿe Guarneri violin has been quite challenging.
On one side I wanted to capture the first impression of the original Guarneri and on the other hand I want you to recognize my fingerprint. Beside of this the instrument´s sound is rich,full and superb.