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#Moodboard Monday : Research for adding floral embellishment to one of my scarf designs that's drawn from a Persian senneh kilim rug...so much inspiration!
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#inspo #inspiration #research #mood #reference #design #designer #designhistory #art #artistry #technique #skill #ideas #create #creative #onmydesk #makersgonnamake #creativelife #studiolife #orientalrug #persianrug #kilim #imagery #leaves #floral #style #embellishment #details #luxury
#Moodboard  Monday : Research for adding floral embellishment to one of my scarf designs that's drawn from a Persian senneh kilim rug...so much inspiration! . . . . . . . #inspo  #inspiration  #research  #mood  #reference  #design  #designer  #designhistory  #art  #artistry  #technique  #skill  #ideas  #create  #creative  #onmydesk  #makersgonnamake  #creativelife  #studiolife  #orientalrug  #persianrug  #kilim  #imagery  #leaves  #floral  #style  #embellishment  #details  #luxury 
@Regranned from @acagency_ -  Brand Identity for Weezy Scott Photography. Check out full concept on behance https://www.behance.net/gallery/57798037/Weezy-Scott-Photography

#instalogo #creative #creativity #logo #logoinspirations #logodesign #branding #digitalartist #designlife #logos #artdesign #graphicartist #graphicdesigner #brandidentity #followme #logoarchive #designhistory #logobrand #modern #designlogo #modernism #branded #artwork #brandedwork #AppleartGrafix #AppleartStudios #ACAgency #AppleartCreativeAgency
@Regranned from @acagency_ - Brand Identity for Weezy Scott Photography. Check out full concept on behance https://www.behance.net/gallery/57798037/Weezy-Scott-Photography #instalogo  #creative  #creativity  #logo  #logoinspirations  #logodesign  #branding  #digitalartist  #designlife  #logos  #artdesign  #graphicartist  #graphicdesigner  #brandidentity  #followme  #logoarchive  #designhistory  #logobrand  #modern  #designlogo  #modernism  #branded  #artwork  #brandedwork  #AppleartGrafix  #AppleartStudios  #ACAgency  #AppleartCreativeAgency 
Visual History of Type by Paul McNeil published by @laurencekingpub - wow. What a thing of beauty, simply an essential book #typography #booksontype #typedesign #designhistory #type #font #shelfie #designbooks #studio #library
Brand Identity for Weezy Scott Photography. Check out full concept on behance https://www.behance.net/gallery/57798037/Weezy-Scott-Photography

#instalogo #creative #creativity #logo #logoinspirations #logodesign #branding #digitalartist #designlife #logos #artdesign #graphicartist #graphicdesigner #brandidentity #followme #logoarchive #designhistory #logobrand #modern #designlogo #modernism #branded #artwork #brandedwork #AppleartGrafix #AppleartStudios #ACAgency #AppleartCreativeAgency
Brand Identity for Weezy Scott Photography. Check out full concept on behance https://www.behance.net/gallery/57798037/Weezy-Scott-Photography #instalogo  #creative  #creativity  #logo  #logoinspirations  #logodesign  #branding  #digitalartist  #designlife  #logos  #artdesign  #graphicartist  #graphicdesigner  #brandidentity  #followme  #logoarchive  #designhistory  #logobrand  #modern  #designlogo  #modernism  #branded  #artwork  #brandedwork  #AppleartGrafix  #AppleartStudios  #ACAgency  #AppleartCreativeAgency 
Tropon Werke Company poster design by Henry Van de Velde (1898).
Tropon Werke Company poster design by Henry Van de Velde (1898).
El ciclista francés Jean Latourneau tirando el Airstream Clipper trailer para demostrar su ligereza, 1947. Streamline design. Airstream Trailer Company

#streamlinedesign #diseñoaerodinámico #trailer #cardesign #1947 #airstreamtrailer #jeanlatourneau #wallacemerlebyam #designhistory #historiadeldiseño #americandesign #cycling #cyclist #cyclistlife #design #diseño #industrialdesign #diseñoindustrial
"Design is a Pain in the Ass" is a fun side project I've been working on for a bit. I teach Design History at my local university and I have fun finding chairs to celebrate the Modern design movements. So I'm starting an ongoing series that showcases my love of history and design. This collection is about where designers put their butts. Here's Vienna Secession, designed by Josef Hoffmann in 1903. Look him up!
"Design is a Pain in the Ass" is a fun side project I've been working on for a bit. I teach Design History at my local university and I have fun finding chairs to celebrate the Modern design movements. So I'm starting an ongoing series that showcases my love of history and design. This collection is about where designers put their butts. Here's Vienna Secession, designed by Josef Hoffmann in 1903. Look him up!
Visual History of Type by Paul McNeil published by @laurencekingpub - wow. What a thing of beauty, simply an essential book #typography #booksontype #typedesign #designhistory #type #font
Visual History of Type by Paul McNeil published by @laurencekingpub - wow. What a thing of beauty, simply an essential book. Also books fro @taschen @uniteditions @standardsmanual #typography #booksontype #typedesign #designhistory #type #font
My 1st tutorial has finally arrived! Pages and pages of amazing content to read, research and understand. I’ll be covering 17 topics within my first module including design history, lifestyles, influences, decorating styles and much more!  Once I’ve got my head round all of the above I’ll be undertaking my first assignment -  demonstrating my understanding of “good” and “bad” design- discussing light, space, colour and functionality before moving on to a further assessment of my observations, general skills, imagination and style. I’d love to know what you guys think is “good” and “bad” design so feel free to comment on this or any other assignment posts!
My 1st tutorial has finally arrived! Pages and pages of amazing content to read, research and understand. I’ll be covering 17 topics within my first module including design history, lifestyles, influences, decorating styles and much more! Once I’ve got my head round all of the above I’ll be undertaking my first assignment - demonstrating my understanding of “good” and “bad” design- discussing light, space, colour and functionality before moving on to a further assessment of my observations, general skills, imagination and style. I’d love to know what you guys think is “good” and “bad” design so feel free to comment on this or any other assignment posts!
明天考设计史真的是灾难🌚上课毛都没听懂全靠自学,等到毕业都变成翻译大佬(X)
내일 큰일이다ㅠ어휴ㅠㅠ 
#디자인사 #중간고사 #복습 #열공 #어려움 #期中考 #复习 #考试 #留学 #test #designhistory #studying #overseas
Konica Auto s2
Balon, Torino 
Niente, mi piaceva questa foto della macchina con cui vorrei scattare delle foto. Una specie di Inception.

#balon #balontorino #torino #Turin #turin🇮🇹 #konica #yashica #minolta #photography #photo #italia #market #vintage #vintagemarket #old #stuff #always #goodshit #love #designhistory #design #buyitforme
New post on my blog ⚡️”Inside the mind of Ettore Sottsass: mysterious nomadic life and Metaphors”. To read it, go to the link in Profile ⚡️On the photo: Design of a floor on which your steps will be uncertain from Metaphors series that I write about ❤️ #ettoresottsass #designblog #milandesigndose #metaphors #post #sottsass #philosophy #photography #architecture #architecturephotography #design #desert #mountains #milan #milano #art #history #designhistory #italianart #italiandesign #inspiration #milandesigndose @aleksandraolenka
New post on my blog ⚡️”Inside the mind of Ettore Sottsass: mysterious nomadic life and Metaphors”. To read it, go to the link in Profile ⚡️On the photo: Design of a floor on which your steps will be uncertain from Metaphors series that I write about ❤️ #ettoresottsass  #designblog  #milandesigndose  #metaphors  #post  #sottsass  #philosophy  #photography  #architecture  #architecturephotography  #design  #desert  #mountains  #milan  #milano  #art  #history  #designhistory  #italianart  #italiandesign  #inspiration  #milandesigndose  @aleksandraolenka
Antes de su viaje a India en 1961, Japón era el principal paradigma de Oriente para el diseñador italiano Ettore Sottsass.

#ettoresottsass #italiandesigner #diseñoitaliano #barbararadice #phaidonbooks #india #1961 #designhistory #historiadeldiseño
French Neo-classical gold clock sitting on a mahogany  chest at Dallas Museum of Art
French Neo-classical gold clock sitting on a mahogany chest at Dallas Museum of Art
Aviso de Pininfarina presentando el Alfa Romeo 8c 2900 cabriolet (1939). La fábrica fue destruida en un bombardeo en la 2a Guerra Mundial.

#pininfarina #alfaromeo #1939 #designhistory #historiadeldiseño #magazinead #publicidadimpresa #classiccars #carrosclasicos #italy #italia #cardesign #diseñodeautos
“The Agitation Will Go On (International Women’s Day 1976),” Bonnie Acker (?), Red Sun Press, 1976
“The Agitation Will Go On (International Women’s Day 1976),” Bonnie Acker (?), Red Sun Press, 1976
Dibujos de Gio Ponti de la pequeña casa ideal. Revista Domus, 1939

#gioponti #1939 #interiordesign #diseñointerior #domusmagazine #revistadomus #designhistory #historiadeldiseño #idealsmallhouse #idealhouse #casaideal
sunday #sun in the studio shining on three-piece garniture set with tray, Ward Merrill Hooper & Tina Roeder, 2017. From our first collaborational show “We Will Make Things Together“. #studio #tinaroeder #limitededition #design #contemporarydesign #artanddesign #newwork #designdetails #designhistory
Memory game with textile patterns designeb by Maija Isola and others.
Kaktus pattern by Erja Hirvi 2002. Marimekko 2005.

#memory #memorygame #matchmatch #pelmanism #pairs #concentration #concentrationgame #muistipeli #peli #spel #game #play #ephemera #cards #toys #papertoys #childrenculture #pelikulttuuri #gameculture #marimekko #design #finnishdesign #designhistory #finland  #kaktus #erjahirvi
Doghouse . Day 16 . Artist in Residence
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An early 1900s cast iron bathroom heater at the officer's family residence. My current home. .
#theydontmakeitanymore  #beautifulobjects #white
#designhistory #design #doghouse #artistinresidence2017 #home
#warhistory #california #coast #castiron
#artistresidence #marinheadlands #headlandsartcenter
“Cuba: Where Human Rights Are More Than A Privilege,” Karin Batten, 1978
“Cuba: Where Human Rights Are More Than A Privilege,” Karin Batten, 1978
Musas de la hospitalidad, caridad, abundacia y justicia. Dibujos de Gio Ponti en la revista Domus en 1928 (fundador). #gioponti #domusmagazine #drawings #dibujos #designhistory #historiadeldiseño #1928 #musas #muses #ospitalità  #hospitality #hospitalidad #carità #charity #caridad #abbondanza #abundance #abundancia #giustizia #justice #justicia
#Repost @mohawkpaper
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What a turnout for the opening night reception of #PaperIsPartOfThePicture. 👏🏻If you missed it, stop on by the @opalka_gallery anytime between now and December 15th!
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#StrathmoreArchive #Design #DesignHistory
The Chateau de la Motte-Tilly. Here, Grandpierre’s post-1964 interiors that firmly recall his 1947 interiors for the Christian Dior couture house: Of course the limestone and slate  floor, the ashlar walls, and the superb ironwork railing are common to both spaces. More subtly, and even more Grandpierre-Dior, is his paring back to emphasize architecture, volume, and light, the sophisticated no-color coloration, and judicious selection of antiques and mix of periods from Louis XIV to XVI (really, are there any others?) Elements also appear that will soon reappear in his 1972 decoration of the new Yves SaintLaurent headquarters on the avenue Marceau (indeed, the museum that just opened last week)—the cabriole-leg Louis XV benches and the charming statuary on pedestals signifying the four seasons.#victorgrandpierre #diorandhisdecorators #frenchinspiration #vendomepress #ChristianDior #fashion #diorstyle #frenchinteriors #interiordesign  #designhistory
The Chateau de la Motte-Tilly. Here, Grandpierre’s post-1964 interiors that firmly recall his 1947 interiors for the Christian Dior couture house: Of course the limestone and slate floor, the ashlar walls, and the superb ironwork railing are common to both spaces. More subtly, and even more Grandpierre-Dior, is his paring back to emphasize architecture, volume, and light, the sophisticated no-color coloration, and judicious selection of antiques and mix of periods from Louis XIV to XVI (really, are there any others?) Elements also appear that will soon reappear in his 1972 decoration of the new Yves SaintLaurent headquarters on the avenue Marceau (indeed, the museum that just opened last week)—the cabriole-leg Louis XV benches and the charming statuary on pedestals signifying the four seasons.#victorgrandpierre  #diorandhisdecorators  #frenchinspiration  #vendomepress  #ChristianDior  #fashion  #diorstyle  #frenchinteriors  #interiordesign  #designhistory 
By me. 
I spent Tuesday at one of my favourite places in London: The Geffrye Museum of the Home. 
The museum is set in a beautiful eighteenth-century almshouse of the Ironmongers' Company, built in 1714 thanks to a bequest by Sir Robert Geffrye. 
Closing for two years in January 2018 to undergo a renovation and extension, I’m excited for this next stage in The Geffrye’s life.
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#CreateEveryday #CreativelySquared #AQuietStyle #SlowLiving #Kinfolk #SlowLife #LiveAuthentically #TheSimpleThings #TheArtOfSlowLiving #TheGentleManifesto #SeekTheSimplicity #SimpleAndStill #InspireMyInstagram #FeelFreeFeed #PostItForTheAesthetic #ThatAuthenticFeeling #Pocket_Creative #InteriorDesign #LondonInteriors #LondonMuseums #GeffryeMuseum #HistoricInteriors #HistoricLondon #DesignHistory #EastLondon #Shoreditch #LondonArchitecture
By me. I spent Tuesday at one of my favourite places in London: The Geffrye Museum of the Home. The museum is set in a beautiful eighteenth-century almshouse of the Ironmongers' Company, built in 1714 thanks to a bequest by Sir Robert Geffrye. Closing for two years in January 2018 to undergo a renovation and extension, I’m excited for this next stage in The Geffrye’s life. . . . . #CreateEveryday  #CreativelySquared  #AQuietStyle  #SlowLiving  #Kinfolk  #SlowLife  #LiveAuthentically  #TheSimpleThings  #TheArtOfSlowLiving  #TheGentleManifesto  #SeekTheSimplicity  #SimpleAndStill  #InspireMyInstagram  #FeelFreeFeed  #PostItForTheAesthetic  #ThatAuthenticFeeling  #Pocket_Creative  #InteriorDesign  #LondonInteriors  #LondonMuseums  #GeffryeMuseum  #HistoricInteriors  #HistoricLondon  #DesignHistory  #EastLondon  #Shoreditch  #LondonArchitecture 
FOR SALE - A VENDRE - TE KOOP 💰
Desk writing table designed by Willy Van Der Meeren for Tubax 1953. Modern belgian social furniture. Grey metal structure with wooden platform. Underneath the table top place for books and papers.
Table d'écriture (bureau) conçu par Willy Van Der Meeren 1953. Structure en métal gris avec plat forme en bois. Sous la tablette de la place pour vos livres et papiers.
Dimensions:
Height: 76 cm / 29.92 inch
Width: 125 cm / 49.21 inch
Depth: 55 cm / 21.65 inch
Price 1.100 euros without transport (Brussels). Please DM if interested. Picture from Furniture Love (where I bought this at the same price).
#tubax #desk #furniture #vintage #design #belgiandesign #vintagefurniture #homedecor #homedecoration #designer #table #designicons #designhistory #willyvandermeeren #prouvé #belge #vintagehome #midcentury #midcenturymodern #modern #midcenturydesign #interiors #rare #fifties #fiftiesstyle #brussels #belgium
FOR SALE - A VENDRE - TE KOOP 💰 Desk writing table designed by Willy Van Der Meeren for Tubax 1953. Modern belgian social furniture. Grey metal structure with wooden platform. Underneath the table top place for books and papers. Table d'écriture (bureau) conçu par Willy Van Der Meeren 1953. Structure en métal gris avec plat forme en bois. Sous la tablette de la place pour vos livres et papiers. Dimensions: Height: 76 cm / 29.92 inch Width: 125 cm / 49.21 inch Depth: 55 cm / 21.65 inch Price 1.100 euros without transport (Brussels). Please DM if interested. Picture from Furniture Love (where I bought this at the same price). #tubax  #desk  #furniture  #vintage  #design  #belgiandesign  #vintagefurniture  #homedecor  #homedecoration  #designer  #table  #designicons  #designhistory  #willyvandermeeren  #prouvé  #belge  #vintagehome  #midcentury  #midcenturymodern  #modern  #midcenturydesign  #interiors  #rare  #fifties  #fiftiesstyle  #brussels  #belgium 
Theo van Doesburg fundador junto con Mondrian de De Stijl criticaba en sus charlas en Weimar (1921-1922) el énfasis artesano-expresionista que había dominado la Bauhaus desde su fundación en 1919

#destijl #bauhaus #vandoesburg #designhistory #historiadeldiseño #1921 #1922 #mondrian #weimar
#edra festeggia a #Firenze il suo 30° anniversario.
L'azienda è evoluzione tra moderna tecnologia e tradizione artistica.
Nella foto #FrancescoBinfaré #autore dei #progetti #edra.
Felice #30anniversario.

#edra30#30yearsofquality#tuscany#ourstory#ajourneythroughbeauty#interiordesign#designlovers#designhistory#homedesign#teatro
#edra festeggia a #Firenze il suo 30° anniversario.
L'azienda è evoluzione tra moderna tecnologia e tradizione artistica.
Nella foto alcuni #autori dei #progetti #edra: da sinistra, #HumbertoCampana, #JacopoFoggini, #FrancescoBinfaré, #RobertoSemprini e #MarioCananzi
Felice #30anniversario.

#edra30#30yearsofquality#tuscany#ourstory#ajourneythroughbeauty#interiordesign#designlovers#designhistory#homedesign#teatro
En un discurso en 1983 Steve Jobs predijo el declive del diseño de Sony por una línea más sencilla inspirada en la Bauhaus.

#designhistory #historiadeldiseño #1983 #1984 #sony #apple #magazinead #design #diseño #macintosh #stevejobs #bauhaus
Paralelamente surgía la revista húngara MA. Moholy-Nagy también en Berlín agregaba «El Constructivismo es el socialismo de la visión». #moholynagy #constructivism #constructivismo #designhistory #historiadeldiseño #berlin #revista #magazine
La revista Veshch (Berlín, 1921) de El Lissitzky abogaba «por un arte constructivo, cuya misión no es decorar nuestra vida sino organizarla»

#ellissitzky #berlin #1921 #veshch #magazine #revista #constructivism  #constructivismo #designhistory #historiadeldiseño #arquitecturehistory #historiadelaarquitectura
#FBF. 55 years of logos and branding. We went deep into the archive today in preparation for next week’s presentation — “Art of (Re)Branding,” part of AIGA Baltimore’s Design Week 2017.
@aigabaltimore
#FBF . 55 years of logos and branding. We went deep into the archive today in preparation for next week’s presentation — “Art of (Re)Branding,” part of AIGA Baltimore’s Design Week 2017. @aigabaltimore
Gorgeous exhibit 🌷🌷(sadly no photography allowed inside 💔) "The true secret of happiness lies in taking a genuine interest in all the details of daily life." #WilliamMorris #artsandcrafts #patterndesign #designhistory #madrid
“All Power to the People,” Faith Ringgold for Black Panther Party, 1970
“All Power to the People,” Faith Ringgold for Black Panther Party, 1970
Install for the #fhkhenrion exhibition curated and designed by third year's opening on Tuesday #illustration #graphicdesign #gallery #graphics #designhistory @artsbrighton @uniofbrighton #brightonviscom
F is for Flower Girl. William Nicholson's An Alphabet - hard to believe it was published in 1898, it looks so much more modern (Heinemann). #williamnicholson #illustration #illustrations #illustratedbook #bookillustration #beggarstaff #alphabets #alphabetbook #alphabet #illustratedalphabet #bookstagram #instabook #firstedition #printing #1890s #designhistory #childrensbooks #childrensillustration #bookdesign
Z for Zoologist. William Nicholson's An Alphabet - hard to believe it was published in 1898, it looks so much more modern (Heinemann). #williamnicholson #illustration #illustrations #illustratedbook #bookillustration #beggarstaff #alphabets #alphabetbook #alphabet #illustratedalphabet #bookstagram #instabook #firstedition #printing #1890s #designhistory #childrensbooks #childrensillustration #bookdesign
X Xylographer. William Nicholson's An Alphabet - hard to believe it was published in 1898, it looks so much more modern (Heinemann). #williamnicholson #illustration #illustrations #illustratedbook #bookillustration #beggarstaff #alphabets #alphabetbook #alphabet #illustratedalphabet #bookstagram #instabook #firstedition #printing #1890s #designhistory #childrensbooks #childrensillustration #bookdesign
P for Publican. William Nicholson's An Alphabet - hard to believe it was published in 1898, it looks so much more modern (Heinemann). #williamnicholson #illustration #illustrations #illustratedbook #bookillustration #beggarstaff #alphabets #alphabetbook #alphabet #illustratedalphabet #bookstagram #instabook #firstedition #printing #1890s #designhistory #childrensbooks #childrensillustration #bookdesign
R is for Robber. William Nicholson's An Alphabet - hard to believe it was published in 1898, it looks so much more modern (Heinemann). #williamnicholson #illustration #illustrations #illustratedbook #bookillustration #beggarstaff #alphabets #alphabetbook #alphabet #illustratedalphabet #bookstagram #instabook #firstedition #printing #1890s #designhistory #childrensbooks #childrensillustration #bookdesign
V is for Villain. William Nicholson's An Alphabet - hard to believe it was published in 1898, it looks so much more modern (Heinemann). #williamnicholson #illustration #illustrations #illustratedbook #bookillustration #beggarstaff #alphabets #alphabetbook #alphabet #illustratedalphabet #bookstagram #instabook #firstedition #printing #1890s #designhistory #childrensbooks #childrensillustration #bookdesign
K is for Keeper. William Nicholson's An Alphabet - hard to believe it was published in 1898, it looks so much more modern (Heinemann). #williamnicholson #illustration #illustrations #illustratedbook #bookillustration #beggarstaff #alphabets #alphabetbook #alphabet #illustratedalphabet #bookstagram #instabook #firstedition #printing #1890s #designhistory #childrensbooks #childrensillustration #bookdesign
O for Ostler. William Nicholson's An Alphabet - hard to believe it was published in 1898, it looks so much more modern (Heinemann). #williamnicholson #illustration #illustrations #illustratedbook #bookillustration #beggarstaff #alphabets #alphabetbook #alphabet #illustratedalphabet #bookstagram #instabook #firstedition #printing #1890s #designhistory #childrensbooks #childrensillustration #bookdesign
A was an Artist. William Nicholson's An Alphabet - hard to believe it was published in 1898, it looks so much more modern (Heinemann). #williamnicholson #illustration #illustrations #illustratedbook #bookillustration #beggarstaff #alphabets #alphabetbook #alphabet #illustratedalphabet #bookstagram #instabook #firstedition #printing #1890s #designhistory #childrensbooks #childrensillustration #bookdesign
A lesser-known Arne Jacobsen design: the „Prepop“ dining chair, designed in 1968 for Asko.

#arnejacobsen #chair #diningchair #stuhl #furniture #furnituredesign #danishdesign #scandinaviandesign #moderndesign #popdesign #designclassic #designlovers #designoftheday #designhistory #möbel #möbeldesign #interiordesign
The @fittedtot sent us one of their stylish subscription boxes for our honest review and I was so excited to see all these stylish name brand outfits and dresses! .
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We received 5 outfits total (7 clothing pieces)  2 of which was a shirt/legging combo. I was very impressed with the brands they chose for us from our style profile. .
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We choose “Classic Girly” and “Playful” and here are the fun prints and patterns that arrived! .
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The brands we received were Tea Collection, Design History, Le Top,  and Egg by Susan Lazar. 
All very high end brands, excellent quality, and adorable patterns!
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So how does The Fittedtot work? Great Question! ❤️
1️⃣First, Build your profile by answering a few quick questions- gender, size, and style!

A Tot Stylist can then pick a perfect assortment of clothes for your stylish tot! 
2️⃣Second, you will receive your stylish tot box of 5-8 items monthly for your tot to try on and pick what you love best!  You have five business days to decide. 
3️⃣Third, keep what you love and pack up the rest in your prepaid shipping envelope to ship back!
They charge a $20 styling fee, but no worries your fee will be credited towards your purchase and there is no doubt you’ll be keeping a few!
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Go to @fittedtot build your style profile and get started on your first Fittedtot box!
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.  We absolutely loved all of our @fittedtot outfits and I would definitely recommend this to find a stylish wardrobe!
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Thank you @fittedtot for sponsoring this review! .
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@guidanceguide #guidanceguide #mystuffmystory #realreviewsforrealparents #mystuffmystory #guidanceguide #aplaceforparents #officialPGambassador #findanexpert #becomeanexpert #Fittedtot #kidsfashion #TeaCollection #DesignHistory #LeTop  #EggbySusanlazar. #ggsponsored #sponsored #ad #Subscriptionbox
The @fittedtot sent us one of their stylish subscription boxes for our honest review and I was so excited to see all these stylish name brand outfits and dresses! . . . . We received 5 outfits total (7 clothing pieces) 2 of which was a shirt/legging combo. I was very impressed with the brands they chose for us from our style profile. . . . . We choose “Classic Girly” and “Playful” and here are the fun prints and patterns that arrived! . . . . The brands we received were Tea Collection, Design History, Le Top, and Egg by Susan Lazar. All very high end brands, excellent quality, and adorable patterns! . . . . So how does The Fittedtot work? Great Question! ❤️ 1️⃣First, Build your profile by answering a few quick questions- gender, size, and style! A Tot Stylist can then pick a perfect assortment of clothes for your stylish tot! 2️⃣Second, you will receive your stylish tot box of 5-8 items monthly for your tot to try on and pick what you love best! You have five business days to decide. 3️⃣Third, keep what you love and pack up the rest in your prepaid shipping envelope to ship back! They charge a $20 styling fee, but no worries your fee will be credited towards your purchase and there is no doubt you’ll be keeping a few! . . . Go to @fittedtot build your style profile and get started on your first Fittedtot box! . . . . We absolutely loved all of our @fittedtot outfits and I would definitely recommend this to find a stylish wardrobe! . . . . Thank you @fittedtot for sponsoring this review! . . . ( Full review on Guidance Guide ) . . . . @guidanceguide #guidanceguide  #mystuffmystory  #realreviewsforrealparents  #mystuffmystory  #guidanceguide  #aplaceforparents  #officialPGambassador  #findanexpert  #becomeanexpert  #Fittedtot  #kidsfashion  #TeaCollection  #DesignHistory  #LeTop  #EggbySusanlazar . #ggsponsored  #sponsored  #ad  #Subscriptionbox 
If these walls could talk... Roaming through the halls of the Old State House.  Such an inspirational place to visit @bostoniansociety .
#oldstatehouse #backbayboston #designhistory #historicbrandingdesign #bostonhistory #bostondesignhistory #architectureasinspiration #adamsdesignboston #brendaadamsboston
explore the very early years of our profession with this amazing book written and designed by our studiopartner @a5jensmueller
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#graphicdesign #graphicdesigner #poineersbook #designpioniere #designhistory #germangraphicdesign #designbook #callistopublishers #düsseldorf #thedorf
• Copenhagen Culture Night • Join us tonight • A univers about light, design history and an amazing craftsmanship • Gl. Strand 28 Kbh. K • 6-11 PM •
#Culturenightcph #KulturnattenKbh #kulturnatten #kulturnatten2017 #craftsmanship #designhistory  #phamber #phlamp #poulhenningsen #design
The 2017 Textile Society conference will explore traditional and contemporary approaches to textile craft, asking the question: what is critical for textile craft in the 21st century? Are we losing or building traditional textile craft skills? How are we interacting with cultures of making in other countries? 
Dr Eiluned Edwards, Reader in Global Cultures of Textiles and Dress, Nottingham Trent University and speaker at this year’s conference is an author and researcher in design history and material culture, focusing on craft development and cultural heritage. She is currently collaborating on the development of the South Asian Galleries at the Whitworth Art Gallery in Manchester and the UK-India Year of Culture Project; and the development of the Islamic Art Galleries at the British Museum. She is also collaborating on the development of the Chintz exhibition at the Royal Ontario Museum, Toronto, for 2020. Eiluned has worked with the Craft Revival Trust, New Delhi, and Printers Associations across India.

Eiluned's most recent publications include 'Aneeth Arora: Crafting Fashion' in Selvedge magazine, 'Sustaining Cultural Heritage? The case of contemporary Indian block prints' in the journal of Asian Textiles, and 'Printing and Dyeing in India' in the Encyclopaedia of the History of Science, technology and Medicine in Non-Western Cultures.

Book your ticket now to hear Eiluned talk about her work on traditional craft skills and links with cultures in other countries. Ticket link in bio. 
#textiles #textilesociety #conference #craft #fabric #surfacedesign #textiledesigner #textilestudent #texture #markmaking #handmade #traditionaltextile #blockprinting #textilecraft #designhistory #materialculture #culturalheritage #craftdevelopment @selvedgemagazine 
Images taken by Eiluned Edwards at Dhamadka village, Kachchh, Gujarat in December 2016
The 2017 Textile Society conference will explore traditional and contemporary approaches to textile craft, asking the question: what is critical for textile craft in the 21st century? Are we losing or building traditional textile craft skills? How are we interacting with cultures of making in other countries? Dr Eiluned Edwards, Reader in Global Cultures of Textiles and Dress, Nottingham Trent University and speaker at this year’s conference is an author and researcher in design history and material culture, focusing on craft development and cultural heritage. She is currently collaborating on the development of the South Asian Galleries at the Whitworth Art Gallery in Manchester and the UK-India Year of Culture Project; and the development of the Islamic Art Galleries at the British Museum. She is also collaborating on the development of the Chintz exhibition at the Royal Ontario Museum, Toronto, for 2020. Eiluned has worked with the Craft Revival Trust, New Delhi, and Printers Associations across India. Eiluned's most recent publications include 'Aneeth Arora: Crafting Fashion' in Selvedge magazine, 'Sustaining Cultural Heritage? The case of contemporary Indian block prints' in the journal of Asian Textiles, and 'Printing and Dyeing in India' in the Encyclopaedia of the History of Science, technology and Medicine in Non-Western Cultures. Book your ticket now to hear Eiluned talk about her work on traditional craft skills and links with cultures in other countries. Ticket link in bio. #textiles  #textilesociety  #conference  #craft  #fabric  #surfacedesign  #textiledesigner  #textilestudent  #texture  #markmaking  #handmade  #traditionaltextile  #blockprinting  #textilecraft  #designhistory  #materialculture  #culturalheritage  #craftdevelopment  @selvedgemagazine Images taken by Eiluned Edwards at Dhamadka village, Kachchh, Gujarat in December 2016
Attention to detail @decoroominteriordesigners. Old door sourced from @elements_i_love and tiles @oldeenglishtiles. Light from @laura.kincade and umbrella stand @dasch_design #prettythings #olddoor #lanternlight #interiordesign #attentiontodetail #tessalatedtiles #classicdesign #frontdoor #history #designhistory #sourcingoldthings #umbrellastand #wroughtirongate
Some time ago I showed the three-volume complete works of Arne Jacobsen by Felix Solaguren-Beascoa, a set that is strong on the visual part but lacks a deeper biographical insight. This gap between work and life of Arne Jacobsen is filled by Carsten Thau & Kjeld Vindum‘s tome „Arne Jacobsen“, published in 2002 by The Danish Architectural Press. The authors focus on the dual career of Jacobsen between architecture and design and with their monograph provide a groundbreaking narration of the artist's life and times. Alongside Jacobsen's biography key works are being discussed and a extensive work catalogue rounds off this massive book. So if you have to choose between this book and the previously mentioned work catalogue by Solaguren-Beascoa I‘d probably recommend the present book because it evaluates Jacobsen in his entirety!

#arnejacobsen #arkfo #monograph #architecturebook #architekturbuch #architect #architekt #arthistory #kunstgeschichte #danishdesign #danisharchitecture #modernarchitecture #designhistory #archilovers #bookstagram #booksofinstagram #bookish #bookaholic #booklover #bookcollection #bibliophile #instaboosks #igreads #vsco #vscocam
Some time ago I showed the three-volume complete works of Arne Jacobsen by Felix Solaguren-Beascoa, a set that is strong on the visual part but lacks a deeper biographical insight. This gap between work and life of Arne Jacobsen is filled by Carsten Thau & Kjeld Vindum‘s tome „Arne Jacobsen“, published in 2002 by The Danish Architectural Press. The authors focus on the dual career of Jacobsen between architecture and design and with their monograph provide a groundbreaking narration of the artist's life and times. Alongside Jacobsen's biography key works are being discussed and a extensive work catalogue rounds off this massive book. So if you have to choose between this book and the previously mentioned work catalogue by Solaguren-Beascoa I‘d probably recommend the present book because it evaluates Jacobsen in his entirety! #arnejacobsen  #arkfo  #monograph  #architecturebook  #architekturbuch  #architect  #architekt  #arthistory  #kunstgeschichte  #danishdesign  #danisharchitecture  #modernarchitecture  #designhistory  #archilovers  #bookstagram  #booksofinstagram  #bookish  #bookaholic  #booklover  #bookcollection  #bibliophile  #instaboosks  #igreads  #vsco  #vscocam 
Dating to around 1920, this @tiffanyandco sapphire, emerald, diamond, and enamel necklace was designed by Louis Comfort Tiffany. The large oval sapphire at the center swings freely on an articulated hinge. The enamel decoration evokes bountiful bouquets done in a palette typical of the period. The best part about this astounding necklace is that it has now found a home in the Tiffany archival collection. It was estimated to sell at @christiesinc between $50,000—$70,000 but the hammer went down at $271,500!
Dating to around 1920, this @tiffanyandco sapphire, emerald, diamond, and enamel necklace was designed by Louis Comfort Tiffany. The large oval sapphire at the center swings freely on an articulated hinge. The enamel decoration evokes bountiful bouquets done in a palette typical of the period. The best part about this astounding necklace is that it has now found a home in the Tiffany archival collection. It was estimated to sell at @christiesinc between $50,000—$70,000 but the hammer went down at $271,500!
'And of course the user had to be sure that the safety catch was on before tucking the [Walther PPK] pistol away in a shoulder holster – hence the consipicuous red dot, which helps remove any doubt or ambiguity. …
…The red dot on a matt black background is on one level a straightroward practical solution. But it is also a striking motif – one that entered the visual consciousness of designers, who always work by manipulating and recycling imagery from multiple sources.' Deyan Sudjic: 'The Language of Things' Penguin, 2008.

Cover design by YES.

Olympus XA deisgned by Yoshihisa Maitani.

#olympusxa #olympus #staybrokeshootfilm #designclassic #deyansudjik #designhistory #industrialdesign #classiccamera #londoncameraproject
'And of course the user had to be sure that the safety catch was on before tucking the [Walther PPK] pistol away in a shoulder holster – hence the consipicuous red dot, which helps remove any doubt or ambiguity. … …The red dot on a matt black background is on one level a straightroward practical solution. But it is also a striking motif – one that entered the visual consciousness of designers, who always work by manipulating and recycling imagery from multiple sources.' Deyan Sudjic: 'The Language of Things' Penguin, 2008. Cover design by YES. Olympus XA deisgned by Yoshihisa Maitani. #olympusxa  #olympus  #staybrokeshootfilm  #designclassic  #deyansudjik  #designhistory  #industrialdesign  #classiccamera  #londoncameraproject 
Contribution to both  #ThrowBackThursday & #InTheWorks - I've been a moderately passionate fan of Junichi Nakahara & his shōjo fashion design & illustrations, reflecting complex social esthetics of post-war Japan & further evolution. Later on I would like to develop & share some of olfactory inspirations on the theme.
#Shōjo #少女漫画
#JunichiNakahara #中原淳一
#OlfactoryContext #TBT #SneakPeak #OlfactoryInterpretations #StyleHistory #FashionDesign #PostWWII #PostWWIIEsthetics #CulturalEvolution #JapaneseDesignHistory #DesignHistory #OregonSketches #BeautyWithinAndWithout #PortlandBeauty #BeLiem
Contribution to both #ThrowBackThursday  & #InTheWorks  - I've been a moderately passionate fan of Junichi Nakahara & his shōjo fashion design & illustrations, reflecting complex social esthetics of post-war Japan & further evolution. Later on I would like to develop & share some of olfactory inspirations on the theme. #Shōjo  #少女漫画  #JunichiNakahara  #中原淳一  #OlfactoryContext  #TBT  #SneakPeak  #OlfactoryInterpretations  #StyleHistory  #FashionDesign  #PostWWII  #PostWWIIEsthetics  #CulturalEvolution  #JapaneseDesignHistory  #DesignHistory  #OregonSketches  #BeautyWithinAndWithout  #PortlandBeauty  #BeLiem 
We celebrate the #TiffanyGirls every day (but especially on #dayofthegirl), who are responsible for many of the most famous designs produced at Tiffany Studios. 
Repost @nyhistory
・・・
Love our Tiffany lamps? Don't forget, especially on International #DayofAGirl — many of the company's most iconic patterns, including the Dragonfly and Wisteria, were designed by Clara Driscoll and the Women's Glass Cutting Department known as the "Tiffany Girls." 👭👭👭 The small six-person team grew to a thriving department of 35 young women — creating shades, selecting glass from an infinite variety of opalescent sheet glass, cutting the individual segments using templates, and wrapping them with copper foil. 🛠💡But managing the team was tough — women were forced to resign once they married, and Driscoll was continually losing talented workers. To his credit, Louis C. Tiffany valued his female employees and paid them on the same scale as the men. 👩‍🔧💸👨‍🔧 But this rankled male workers who were unionized (the unions didn’t admit women) even prompting them to threaten to strike in order to take away the women’s right to make windows. Tiffany held firm and reached a settlement but Driscoll’s department was capped at 27 women employees — just one example of Driscoll and the girls’ many challenges. 📚The full story of Clara Driscoll and the Tiffany Girls was nearly lost to history, not uncovered until the early 2000s. Our Gallery of Tiffany Lamps at our Center for Women's History reveals these stories and many, many more to celebrate the women of the past and present whose crucial contributions have yet to be shared. #herstoryishere #TiffanyGirls #ClaraDriscoll #herstory #tiffany #tiffanystudios #womendesigners #womeninart #designhistory #design #decarts
We celebrate the #TiffanyGirls  every day (but especially on #dayofthegirl ), who are responsible for many of the most famous designs produced at Tiffany Studios. Repost @nyhistory ・・・ Love our Tiffany lamps? Don't forget, especially on International #DayofAGirl  — many of the company's most iconic patterns, including the Dragonfly and Wisteria, were designed by Clara Driscoll and the Women's Glass Cutting Department known as the "Tiffany Girls." 👭👭👭 The small six-person team grew to a thriving department of 35 young women — creating shades, selecting glass from an infinite variety of opalescent sheet glass, cutting the individual segments using templates, and wrapping them with copper foil. 🛠💡But managing the team was tough — women were forced to resign once they married, and Driscoll was continually losing talented workers. To his credit, Louis C. Tiffany valued his female employees and paid them on the same scale as the men. 👩‍🔧💸👨‍🔧 But this rankled male workers who were unionized (the unions didn’t admit women) even prompting them to threaten to strike in order to take away the women’s right to make windows. Tiffany held firm and reached a settlement but Driscoll’s department was capped at 27 women employees — just one example of Driscoll and the girls’ many challenges. 📚The full story of Clara Driscoll and the Tiffany Girls was nearly lost to history, not uncovered until the early 2000s. Our Gallery of Tiffany Lamps at our Center for Women's History reveals these stories and many, many more to celebrate the women of the past and present whose crucial contributions have yet to be shared. #herstoryishere  #TiffanyGirls  #ClaraDriscoll  #herstory  #tiffany  #tiffanystudios  #womendesigners  #womeninart  #designhistory  #design  #decarts 
TOMORROW: Join us at our first lecture "Conscious Collecting for the 21st Century" by Elizabeth Chase as part of this year's DESIGN+DISCOURSE lecture series at the Textile Museum @gwmuseum from 12:00-1:00pm. Elizabeth Chase will discuss her research on current associations between design and collecting and what it means to consume and collect for modern society. We look forward to seeing you there! #dadh #designhistory #designanddiscourse @corcoran_gw @chase_elizabethw @smithsonianassociates #smithsonian #gwu #design
TOMORROW: Join us at our first lecture "Conscious Collecting for the 21st Century" by Elizabeth Chase as part of this year's DESIGN+DISCOURSE lecture series at the Textile Museum @gwmuseum from 12:00-1:00pm. Elizabeth Chase will discuss her research on current associations between design and collecting and what it means to consume and collect for modern society. We look forward to seeing you there! #dadh  #designhistory  #designanddiscourse  @corcoran_gw @chase_elizabethw @smithsonianassociates #smithsonian  #gwu  #design 
We approach the close of the 19th century in our journey through #15decadesofdesign with this elegant table by the American designer George Jack. Join our #DecorativeArts specialist, John Mackie, as he takes a closer look at the design elements that make this piece so special. ---
Lot 30
GEORGE JACK (1855-1931) FOR MORRIS & CO. 
ARTS & CRAFTS MAHOGANY OCCASIONAL TABLE, CIRCA 1895 
the shaped and moulded circular top raised on slightly curved legs with leaf carving and linked by stretchers centred with a carved sunflower, stamped maker's marks MORRIS & CO./ 449 OXFORD ST/ W/ 1000 
76cm diameter, 69cm high

Estimate £ 2,000-3,000 + fees 
#designisinthedetails  #designhistory #artsandcrafts #19thcentury #WilliamMorris #morrisandco #american #americandesign #decorativearts #auction
We approach the close of the 19th century in our journey through #15decadesofdesign  with this elegant table by the American designer George Jack. Join our #DecorativeArts  specialist, John Mackie, as he takes a closer look at the design elements that make this piece so special. --- Lot 30 GEORGE JACK (1855-1931) FOR MORRIS & CO.  ARTS & CRAFTS MAHOGANY OCCASIONAL TABLE, CIRCA 1895  the shaped and moulded circular top raised on slightly curved legs with leaf carving and linked by stretchers centred with a carved sunflower, stamped maker's marks MORRIS & CO./ 449 OXFORD ST/ W/ 1000  76cm diameter, 69cm high Estimate £ 2,000-3,000 + fees #designisinthedetails  #designhistory  #artsandcrafts  #19thcentury  #WilliamMorris  #morrisandco  #american  #americandesign  #decorativearts  #auction