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Absolutely love this photograph! #Repost @gagosiangallery
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"Gregory Crewdson: Cathedral of the Pines" is now view at The Photographers' Gallery, London,  through October 8, 2017. 
This is the first time the "Cathedral of the Pines" series has been exhibited in the UK and the first time the Photographer’s Gallery has devoted all three of its gallery spaces to one artist. The deeply evocative series, typical of Crewdson’s cinematic scope and complex narratives, is photographed against the backdrop of the rural town of Becket, MA. Click on the link in our bio for more info.
#GregoryCrewdson #COTP #CathedralofthPines #Gagosian #ThePhotographersGallery @CrewdsonStudio @ThePhotographersGallery
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Image: Gregory Crewdson, "The Pickup Truck," 2014, digital pigment print, image size: 37 1/2 × 50 inches (95.3 × 127 cm), ed. of 3 + 2 APs © Gregory Crewdson.
Absolutely love this photograph! #Repost  @gagosiangallery ・・・ "Gregory Crewdson: Cathedral of the Pines" is now view at The Photographers' Gallery, London, through October 8, 2017. This is the first time the "Cathedral of the Pines" series has been exhibited in the UK and the first time the Photographer’s Gallery has devoted all three of its gallery spaces to one artist. The deeply evocative series, typical of Crewdson’s cinematic scope and complex narratives, is photographed against the backdrop of the rural town of Becket, MA. Click on the link in our bio for more info. #GregoryCrewdson  #COTP  #CathedralofthPines  #Gagosian  #ThePhotographersGallery  @CrewdsonStudio @ThePhotographersGallery __________ Image: Gregory Crewdson, "The Pickup Truck," 2014, digital pigment print, image size: 37 1/2 × 50 inches (95.3 × 127 cm), ed. of 3 + 2 APs © Gregory Crewdson.
This makes up for not having flowers on a Sunday throwback a few weeks ago @gagosiangallery kings cross dance #willofthecapitol #paperwork #flowers #centrepieces #gagosian #gagosiangallery #gagosianlondon
Meeting my girlfriend at my old London home.
@thecelesta #theconnaught #london🇬🇧 #glamour #childhoodmwmories #Mayfair #gagosian #gorgeousgirl
Light becomes what it touches, becomes water, lilies on water. #monet
Light becomes what it touches, becomes water, lilies on water. #monet 
Light becomes what it touches.
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Image:
1211-05, 2017
Colour Photograph
71 x 71 in.
Edition of 3, 2AP
© Tuck Muntarbhorn
Light becomes what it touches. — Image: 1211-05, 2017 Colour Photograph 71 x 71 in. Edition of 3, 2AP © Tuck Muntarbhorn
'Des Meeres und der Liebe Wellen (The Waves of Sea and Love)' from the Anselm Kiefer "Transition from Cool to Warm” exhibition at the #Gagosian Gallery in #NYC.
'Des Meeres und der Liebe Wellen (The Waves of Sea and Love)' from the Anselm Kiefer "Transition from Cool to Warm” exhibition at the #Gagosian  Gallery in #NYC .
New painting!

Title: OH Jeremy Corbyn
Artist: Me (@hark1karan)
Material: Canvas, acrylic paint and black ink pen.
Size: 30cm x 40cm
For sale: Name your price!
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#artist_sharing #artcollective #artcollector #graffiti #southtakeover #southlondon #politics #gagosian #tatemodern #whitechapelgallery #londonpop #london_only #artistatwork #saatchi #londonartscene #saatchigallery #modernart #modernartist #contemporaryart #Britain  #acrylicpainting #streetdreamsmag #jeremycorbyn #corbyn #photojournalism #artattack #artisttakeover
New painting! Title: OH Jeremy Corbyn Artist: Me (@hark1karan) Material: Canvas, acrylic paint and black ink pen. Size: 30cm x 40cm For sale: Name your price! . . . . #artist_sharing  #artcollective  #artcollector  #graffiti  #southtakeover  #southlondon  #politics  #gagosian  #tatemodern  #whitechapelgallery  #londonpop  #london_only  #artistatwork  #saatchi  #londonartscene  #saatchigallery  #modernart  #modernartist  #contemporaryart  #Britain  #acrylicpainting  #streetdreamsmag  #jeremycorbyn  #corbyn  #photojournalism  #artattack  #artisttakeover 
Light becomes what it touches, becomes water, lilies on water. #monet
Light becomes what it touches, becomes water, lilies on water. #monet 
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira
—
Image:
1211-05, 2017
Colour Photograph
71 x 71 in.
Edition of 3, 2AP
© Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira — Image: 1211-05, 2017 Colour Photograph 71 x 71 in. Edition of 3, 2AP © Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira
—
Image:
1211-05, 2017
Colour Photograph
71 x 71 in.
Edition of 3, 2AP
© Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira — Image: 1211-05, 2017 Colour Photograph 71 x 71 in. Edition of 3, 2AP © Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira
—
Image:
1211-05, 2017
Colour Photograph
71 x 71 in.
Edition of 3, 2AP
© Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira — Image: 1211-05, 2017 Colour Photograph 71 x 71 in. Edition of 3, 2AP © Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira
—
Image:
1211-05, 2017
Colour Photograph
71 x 71 in.
Edition of 3, 2AP
© Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira — Image: 1211-05, 2017 Colour Photograph 71 x 71 in. Edition of 3, 2AP © Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira
—
Image:
1211-05, 2017
Colour Photograph
71 x 71 in.
Edition of 3, 2AP
© Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira — Image: 1211-05, 2017 Colour Photograph 71 x 71 in. Edition of 3, 2AP © Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira
—
Image:
1211-05, 2017
Colour Photograph
71 x 71 in.
Edition of 3, 2AP
© Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira — Image: 1211-05, 2017 Colour Photograph 71 x 71 in. Edition of 3, 2AP © Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira
—
Image:
1211-05, 2017
Colour Photograph
71 x 71 in.
Edition of 3, 2AP
© Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira — Image: 1211-05, 2017 Colour Photograph 71 x 71 in. Edition of 3, 2AP © Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira
—
Image:
1211-05, 2017
Colour Photograph
71 x 71 in.
Edition of 3, 2AP
© Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira — Image: 1211-05, 2017 Colour Photograph 71 x 71 in. Edition of 3, 2AP © Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira
—
Image:
1211-05, 2017
Colour Photograph
71 x 71 in.
Edition of 3, 2AP
© Tuck Muntarbhorn
“Muntarbhorn is transparent about the fact that his work is an expression of his feeling for the spiritual nature of the world. Originating at sacred sites from across the globe (in Thailand, Myanmar, Israel, Finland, Britain and elsewhere), the forms he photographs become abstract to the point at which they dissolve into transparent bodies of light; they relinquish their otherness.” - Andrew Spira — Image: 1211-05, 2017 Colour Photograph 71 x 71 in. Edition of 3, 2AP © Tuck Muntarbhorn
I feel alive.
—
1208-11, 2017
Colour Photograph
71 x 71 in.
Edition of 3, 2AP
© Tuck Muntarbhorn
I feel alive. — 1208-11, 2017 Colour Photograph 71 x 71 in. Edition of 3, 2AP © Tuck Muntarbhorn
Tim Bengel - The mind of a creative inspiration, MiND Magazin, 30.05.2017
Tim Bengel - The mind of a creative inspiration, MiND Magazin, 30.05.2017
Clouds bond under the same sky. #asabovesobelow
ANNUNCIATION XX
ANNUNCIATION XX
"My artwork" #gagosian #hypocrite
"I don't like any galleries." #gagosian #gallery #peas . #riseordie
"At peace with gagosian" #gagosian #gallery #
💊Updated, prescribed, and sedated. Never been better. 💊
#damienhirst #gagosian #nyc #art #gallery #artismydrug #arttherapy
Located in Manhattan’s exclusive Upper East Side neighborhood, 980 Madison has an established identity as a home to leading retailers and commercial users. It has long been associated with fine art galleries since its completion in 1949. #Gagosian #artgalleries #980madisonavenue #newyork
Located in Manhattan’s exclusive Upper East Side neighborhood, 980 Madison has an established identity as a home to leading retailers and commercial users. It has long been associated with fine art galleries since its completion in 1949. #Gagosian  #artgalleries  #980madisonavenue  #newyork 
The Nameless Library aka Judenplatz Holocaust Memorial by Rachel Whiteread in Vienna #namelesslibrary #vienna #rachelwhiteread #holocaustmemorial #judenplatz #luhringaugustine #gagosian #lorcanoneill
Slightly underwhelmed with these #JonasWood #whimsical #paintings at Gagosian, but at least glad to see in person before the show closed. #art#contemporaryart#exhibition#gagosian##artist
Les extases féminines by Anselm Kiefer  #anselmkiefer #artlovesyoutoo #gagosian