Hello world, I'm going offline for 10 days as I travel to Poland and into the Brzezinka forest to train with Studio Matejka in their workshop 'The Dance of Likeness' - At the beginning of this year I found out that my Jewish family from my dads side were descendant from Poland before the war. The workshop's themes revolve around the residue that is left in our bodies from our ancestors, and the generations before us, so it feels important to finally be visiting a part of my heritage that also encapsulates my passion and love for what I do artistically. I'm unsure as to what I will find but it feels magic to have the privilege to impart on such a journey.
This photo is of my grandmother, Edna Sattin, as a young girl. 🌛🌕🌜 #studiomatejka#grotowski#brzezkina#poland#offline#ancestor#family#creativity#movement#physicaltheater
Our Director Mohammad Itani had an interview yesterday with Alam Al Sabah on FutureTV :: Group to talk about Bayt Byoot Production.
GO WATCH IT ON OUR FACEBOOK PAGE !
مقابلة مخرج مسرحية بيت بيوت مع تلفزيون المستقبل في برنامج عالم الصباح. ناطرينكن يوم السبت الساعة 7:30 مساءً في ثانوية رفيق الحريري في صيدا
That's us RIB❤#toi_whakaari#workinprogress Katrina George 3d year actor exploring the nuanced and complex aspects of human connection, specifically the breakdown of intimate relationships. The work deals with the tension between love, attraction, eroticism and the mundane, abusive and dysfunctional aspects of relationships. #physicaltheater#movement
Deciding how I feel about these studies - photograms of drawings of myself in positions prescribed by #Charcot , a French 19th c psychoanalyst who thought he understood #hysteric women, and took them on a traveling sideshow to demonstrate the sequence of epileptic events. Too romantic? The color? It's part of preparing to think more in terms of #physicaltheater this year, in advance of my project in Russia... how to study motion. #DrawingIsFun
"Naked Empire Bouffon Company’s “You F—ing Earned it” gives a much smarter, funnier and more harrowing takedown of American entitlement....every once in a while, the pair of clowns turn toward the audience with forbidding frowns or grotesque grins. It’s a fitting image of our rapacious capitalism — a joke you’re in on, until it morphs into primal nightmare." -SF Chronicle
Repost from @sfchronicle review of #youfuckingearnedit Amazing photo by @santimejia_
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Edipo è il front-man, il re-guaritore, il re sciamano. Testimonia di altre relazioni con le donne, coi bambini, con gli animali. Perché è egli stesso continuamente preso in infiniti “divenire-donna, divenire-bambino, divenire-animale”. È l'attorice o l’attricere in transito perenne tra illusione e realtà Abita qui un deposito perduto di testi, memorie e oggetti-feticcio precipitato in un "piccolo-privato-perverso" immaginario rock. Un pugno di oscure e affilate tracce psichedeliche scaturisce live dalla Stratocaster di Luca Pietramala, accompagnando Manolo Muoio nel suo viaggio alla deriva fra teatro, rock e performance. L’ombra di Doors, Stooges e Velvet Undergorund affiora attraverso la musica, coesistendo sulla scena nuda con Eschilo e Sofocle, fra molteplici rimandi iconografici, suggestioni emozionali, brandelli di memoria La tragedia greca rinasce dallo spirito del rock'n'roll.